Saturday, January 29, 2011

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THE SHERATON HOTEL TO AUGUSTINE. ANECDOTES OF AN ACCORDION.

With my "Transicord"
Trying to refine our existence in this world, we are recalling moments made a difference in every performance. A black and white with all its contrasts. Part of the story of my life and professions related to my favorites. In this case, music. What story, nothing has to do with criticism and not with fanciful comments. It's just remember the joy it was to be an avid accordionist and what this instrument allowed us to observe.

The 70. Started my professional career as enlivened it holiday and had my instrumental group and attended all sorts of events. One of them, at the end of 73, employees receive a public entity can not remember what it was. The appointment at the Sheraton Hotel and 12 noon to 4 pm. Much discourse and offerings and good wishes for Christmas and New Year. Sweepstakes special gifts and awards for good workers. Luxury care.

Amid cocktails and passed appetizers that "lunch." We had managed to get ours. The young men preferred to meet the honorees and special authorities. Even I have this this dish with a French name and we came by chance. It consisted of a hem of his olive and inlaid with decorative lettuce. Like we played and amenizábamos the meeting. With me "Daddy" Oscar Cornejo and Lucho Vivar, my drummer and singer, respectively.

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Three musicians like us, the menu was our guy. After the excitement and terminate the contract, "Papi" I asked if we had something more for the night. I said no and the "touch" took the opportunity to commit to a "tone" in Santoyo, by the Augustinian near the headquarters Bourbons. The Five Corners lived at Avenida Los Incas, and it was a small contract. Always my intention to work with him, I agreed with all our luggage and instruments, we went to another "Santoyo. (Birthday).

We came to a house old and very friendly people. Go neighborhood! It was a tremendous change. The luxurious Sheraton Hotel and a lavish meeting, a humble place like my beloved Surquillo. Once settled in a small corner of the room, we started Creole music and tropical rhythms continue with fashion. Be provided with beer and chicha. There were no waiters. The owner of the saint, a woman chiclayana and very happy, we appreciated every moment of our presence. We give to give to music.

came the "Happy Berthey" the classic bailecito anniversary and the food. Kid-style dry north. An unsurpassed flavor and ended with "concolón" rice with duck, another sabrosura left in its minimal form the luxurious Sheraton buffet. A contrast of the artificial and natural. A full belly and happy heart. We played like we charged triple. An anecdote inseparable with my accordion and the absolute differences between the political and social to what really people. Unforgettable!. Thanks.

Friday, January 28, 2011

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Jose "Pepe" APONTE. A WIZARD IN ATTACK!. WE DANCE TO LARGE AND SMALL,

Jose "Pepe" Aponte and Roberto Spassiano.
Thanks to my good friend Roberto Spassiano who lives in the United States, accordion like us, comes to mind the figure of "Pepe Aponte." Every weekend, Friday or Saturday when there were many parties in our beloved Lima, we drove to Breña in search of this great artist. Came to us through the recommendation of the popular Oscar Cornejo Purilla, "Papi", the drummer I had more time as a starter in each of those memorable gatherings in private homes or clubs provincial capital. Today we remember him with great affection.

had good style and was regarded in the world of "goats" as one of the ranked. He meant, trained to serve with your battery all kinds of rhythms. From classic rock and Creole musical style that would require their splendor. It was a Friday and it was a "teenager tone." First I must clarify that this kind of festival, was celebrated in a familiar way. Attending from the grandparents, uncles and the whole family in general. Friends and guests who had to submit to the new lady.

Gradually this celebration with the emergence of new rhythms, is made exclusively of young and often had to compete with the sound equipment of the house and the recordings of the boys. In a way, we played only for the elderly. Also we managed to bring a tape player and the current rates for youth. With Pepe Aponte, Carlos Monteodoro, great guitarist and Carlos Casares, son of the great Argentine singer, vocals, live in the following anecdote.

In somehow the whole was composed of older people. Cumbias and salsa dancing by the participants left and of course folk music was a matter for the uncles and grandparents of the family moved the skeleton. There was a sound of very low power and where the teenagers tried some of their songs. Nothing happened but we could see the dissatisfaction on their faces. Pepe Aponte, adept at accompanying musicians, I suggested improvising melodies or chords in the rhythm that would escort us.

Indeed. It was a devilish rock and rall and on that "track" of Pepe, both Carlos Monteodoro and who played the accordion-mail, we started to use computer effects, whether they "gua gua", "tremolo" and others. Our sound was loud and that trio was immersed in a wave "hippie" pure inspiration and animation screams Casares. All youth throbbed with the beat. The young lady's birthday we threw kisses blown. Pepe Aponte, showed his versatility of large rock.

We played for 30 minutes and the applause rang out at the end of youth. One of them came and told us we repeated the theme. We looked at the musicians and the truth is that no one remembered anything. Santana was time and returned to the attack with "Oye como va", "to beat the clock" and other successes of our repertoire. The truth is that we save one bash through the rock rhythm imposed Jose "Pepe" APONTE. A greeting to him who lives in USA and we hope you read this review and we write. Thanks.

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"LOS SERVALLI." ANGELLO AND RICARDO, two Italian citizens who honored us liven up your PARTY.

Many people are surprised our little fame of musicians and why we kept a low profile in this profession. The truth is that we did the same in the field of speech. We labor distracting the audience and never resort to cheap publicity in order to achieve a transcendental fame. It was basic. The success we gain is in our brains and experience. That's why I mention to Brothers Servalli. Angello and Ricardo, we were welcomed because we played so great Italian artist.

I can not ever forget their meetings in Rinconada Baja, Angello house and his beloved family and friends. Mrs. Mafalda, Peruvian gave all day like your birthday. Their children, young charming understand the joy of his father and beat and rhythm of traditional tarantellas and mazurkas, cheered at every celebration. I'll tell you. It was a dream entertain such parties. The "Tornasorrento", "O Sole Mio" and "Famous Italian Mazurka," were "musical plates" this generous family favorite.

same happened at the home of Don Ricardo Servalli. The villagers came together and for us it was a trip to Italy to attend. The kindness of Mrs. Ada Servalli, Italian lady enjoyed and sang loudly our parade of famous tangos like "Chitarra Romana", "Violino Tzigane" and other very famous. Happy dancing the "Ciribiribinn", "Mountains of Italy and all the waltzes that made history in the Italian repertoire. I move mentally and fully enjoy your home with these memories. Thank you, Ms. Ada.

will clarify that these beloved customers and all who gave us the honor of visiting their homes, only the classic card was our letter presentation. The contracts were renewed by our serious work and here is our success as musicians. There was no need for local entertainment journalism, because we support these actions and we practiced repertoire. Traditional music well selected and a respect for the customer, deserve your trust. Other times.

was common Servalli reunite with family in the celebrations of the Circolo Sportivo Italiano. Social activities we undertook and was otherwise friendly to alternate with the Italian colony. Remain in our memory the Fontanella, the Cordano and Ferrigno, to name friends who conquered with our music. How can we forget Dorina and Tino Pagliarini and "Mimma" her mom and adorable home with my wife as "Gaby Rossi", we gave free rein to the songs of "Bella Italia".

Servalli
I enjoyed the Circolo Sportivo Italiano in the arrival of a frigate and cadets on a visit to our country, were subject to a great reception. We would play accompany Piero Solari and ship spontaneous enjoyed this pleasant meeting. Go for Angello and nice Ricardo Servalli and families, this tribute reminder Carlos Servan "Accordion Man." A remembrance I feel in my soul and reaffirms my taste for that beautiful music. Live Italy and Peru. "Thanks.

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"ALFONSO JUAREZ. COPY AND DISCIPLINED drummer. ALWAYS REMEMBER YOU! PETER

evoke my duty now, Alfonso Juarez, a drummer who I placed by telephone Musicians' Union of Peru. For reasons that I remember, I turned to the phone and they said turned out to be this character who debuted with me and earned my trust by their proper way to proceed. I lived for those times of the 70 in Pueblo Libre and had other jobs that allowed to support his family. A musician right that, if I remember correctly, he joined the Marine Band Peru.

His team was yellow and gold. It was spectacular, much less intended. We hit it off and do not remember any problem with it. He knew all the rhythms and fully meet the hours for which they were engaged. Did not object to the extra work and never showed his face roughly. Rather, with his smile and good mood, encouraged us to face every "kid" with the joy of the case. Alfonso Juarez, who I have not heard long ago, is in my memories as a great teammate.

try to outline how we began normally a dance. If it was a birthday and the environment showed roistering, tearing his with the waltz "Rosa Elvira" and we were adding items as the dancers were displayed on stage. The start time was usually 11 at night. At other times as warming up, a selection of famous songs in the rhythm of cha cha bolero: "Siboney", "Adele told me," Vereda Tropical "and the great themes of memory always liked.

I liked the way with me on that subject imposed by Roberto Carlos "A cat in the dark." Bossa nova was his forte. After the first hour and being 12, a kick drum and cymbals, we allowed playing "Happy Birthday." All chanted the famous "Happy Berthey" and was the great moment of celebration, then the couple danced to the tune of "Anniversary Waltz", that "Waves of the Danube" to applause and cheers from the crowd. "Tone" became joyful dance.

Arrival pasodoble generally "La Morena my Copla" with all your English salt. My clients and I say with great satisfaction, was people who loved the tradition. The "health" came and went. How dancing to "La Pollera Colora" or that issue of Walter Fuentes "Banda came," and that the Peruvian musician has had to face a complaint to the famous Willy Colon wins his authorship. That issue was a success in recordings and no musician who left to interpret it. Walter Strength!

evoke ALFONSO JUAREZ, has returned to the past for big parties. A baptism, the holy house, a marriage, "given the hoops" of lovers, birthday, wedding silver, gold and all that gave reason to hold a meeting, have now disappeared. Thanks Alfonso for giving life to your pace to what we could extract our Accordion musically. We said goodbye to evoke a grand finale with huayno seafood and the famous "Mexican Hat Dance." Here come the Carnival! Thanks.

Tuesday, January 11, 2011

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and hope: "In Our Father Creator Tupac Amaru" José María Arguedas

Tupac Amaru, the son of the Serpent God, made Salqantay snow, your shadow reaches the heart and the deep shadow of the mountain god, unceasingly and without limits.
Your god snake eyes that shone like the lens of all eagles, they could see the future, they could see far. Here I am strengthened by your blood, not dead, still screaming.
I'm screaming, I'm your people, you made back my soul, my tears I did it again, I wound not be commanded to close, it hurts every again. From the day that you spoke, from the time you fought with steely, murderous English, from the time he spit in the face, from when your boiling blood is shed on the earth boiling in my heart is out of peace and resignation. There are only fire, but no snake hatred against the demons, our masters.
is singing the river,
is mourning the calendar,
is turning the wind
day and night on the steppe straw vibrates
our sacred river is roaring;
in our Wamanis mountain ridges,
in his teeth, dripping and shining snow.

Where are you since you shot for us?

Our Father, listen carefully to the voice of our rivers, and listen to the fearsome great forest trees, the singing demon, sea-white, listen to them, my father, Snake God. We are alive, yet we are! Movement of rivers and rocks, the dance of trees and mountains, its movement, powerful blood drink increasingly stronger. We're raising, for your home, remembering your name and death!
In the villages, with their little hearts are crying children.
In the highlands, no clothes, no hat, no coat, almost blind, men are crying, sadder, more sadly than boys.
Under the shade of a tree, man still cries, Snake God, the more hurt you in your time, pursued as rows of lice.
Hear the vibration of my body! Listen to my cold blood, his ice cream shake.
Listen Lambros tree on the edge of the dove abandoned
never loved;
the sweetest cry no rivers, springs that gently
sprout the world.
We are still, we live! (Kachqanirakmi)
In your great wound, your pain that nobody would have closed, is raised for us the anger boiling in your veins. We must stand up now, father, our brother, my God Snake. Since we are not afraid to ray powder lords, to bullets and shrapnel, and do not fear much. We are yet! Shouting your name, as rising rivers and the fire that devours mature straw, as the endless crowds wild ants, we throw up our land is really our land and our people our people.
Listen, my father, my God Snake, listen:
bullets are killing
machine guns popping veins,
iron sabers are cutting human flesh
horses are building hardware, with its crazy and heavy helmets, my head,
my stomach is bursting,
here and everywhere
ice on the back hills of Cerro de Pasco,
in the cold plains in the heated valleys of the coast,
on the large grass Live, from the deserts.
my dear Father, God Snake, your face was like the big sky, hear me now the heart of the Lords is more frightening, more dirty, inspires more hatred. Have corrupted our own brothers, they have turned the heart and with them armed with weapons that the devil himself of the demons could invent and manufacture, are in danger. And yet, there is a light in our lives! We are shining! We lowered the cities of the lords. From there I speak.
We dropped like endless rows of ants of the great forest. Here we are with you, Chief beloved, unforgettable, eternal Amaru.
We grabbed our land. Our lambs are fed with dry leaves the wind drag, that neither the wind wants, our only cow salt licks the little dying land. Snake God our Father, in your time we were still owners, commoners. Now, like a dog on the run from death, we run to the hot valleys. We have reached thousands of people outside, terrified birds.
Listen, father, from streams far from the cold or burning plains that false Wiraqocha took us, we fled and have spread throughout the four regions world. Some people cling to their threatened land and small. They have been up in their wants and, like us, trembling with anger, think, contemplate. I no longer fear death. Our lives are colder, more painful than death. Listen, Snake God: the scourge, jail, endless suffering, death, strengthened us, like you, brother, as your body and your spirit. How far we have to push this new life? The force that ferments and raises death in humans is not that man can stir the world to shake?
I'm in Lima, in the huge village, head of the false Wiraqocha. In Pampa Comas, on the sand with my tears, my strength, my blood, singing, I built a house. The river of my village, his shadow, his large wooden cross, herbs and flowering shrubs, surrounding it, are, are beating inside that house, a hummingbird gold plays in the air above the roof.
Al immense Messrs. people have come and what we are removing. With our hearts we achieve it, penetrate it, to our delight not extinct, with the thunderous joy of suffering man who has the power of all the heavens with our hymns old and new, we are wrapping. We have to wash some blame for centuries sedimented in this corrupt head of the false Wiraqocha, tears, love and fire. Whatever it takes! We are thousands of thousands, here and now. We are together, we have gathered from village to village, name by name, and we're pushing this great city that we hated, despised us as horse droppings. We must become people of men who will sing the hymns of the four regions of our world, happy city, where every man working in huge people not to hate and be clean like the snow in the mountains where the gods of evil pestilence never comes. So, likewise to be, my father, so it must be, in your name, which falls on life as an eternal waterfall jumping and shines all the spirit and the road.
Quiet waiting
quiet hey,
quiet sees this entire world.
lifting me I'm fine!
Canto;
same song I sing.
learn and the language of Castile,
understand the wheel and the machine
grows us your name
Wiraqocha children talk to you and you
listen
as the master warrior, fire
inflames pure, enlightening.
Comes the dawn.
tell me that other people
hit men, the suffering,
are now eagles, condors
immense and free flight.
Quiet expected.
make it beyond as you wanted and dreamed.
will hate you more that the hated;
love each other more than you loved,
dove with love charmed, calendar.
Quiet expected, with that hatred and love with that restless and boundless, which you could not will we.
Al sleeping lake ice, the black abyss, the blue fly to go and proclaim the death of the moon, stars and earth, the soft and powerful man's heart, to every living and nonliving, that is in the world, which encourages or discourages the blood, man or dove, stone or sand, we'll rejoice, having infinite light, Amaru, my father. The holy one death will no longer released with braided slings or by lightning exploded gunpowder. The world will be the man, the man the world, all for you.
down to the ground, Snake God, infúndeme your breath, put your hands on the invisible material that covers the heart. Give me your strength, dear father.